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for the world excluding the United States, South America and Central America. ℗ 2006 Bad Boy Records LLC for the United States and WEA International Inc. © 2007 Bad Boy Records LLC for the United States and WEA International Inc. Entertainment, LLC and Hip Hop Since 1978, Producer - Cornell "Nell" Brown, Assistant Engineer - Victor Abijaoudi II, Recording Engineer - Oscar Ramirez, Recording Engineer - David Brown, Recording Engineer - Kevin "Kev-O" Wilson, Assistant Engineer - Johnny "D" DeMairo, Additional Production & Remix - Canei, Keyboards Diddy, Executive Producer, MainArtist - Leroy Watson, Writer, Vocal Arranger - Matthew Testa, Assistant Mix Engineer - Mike Patterson, Mixing Engineer - Shannon Jones, Writer - Christina Aguilera, FeaturedArtist - Just Blaze for F.O.B. Good thing I have the sense to stop listening.Justin Smith, Writer - Stephen Garrett, Writer - Jack Knight, Writer - Ryan Montgomery, Writer - Harve "Joe Hooker" Pierre, Producer - Peter Mokran, Mixing Engineer - Elizabeth Wyce, Writer - Shannon "Slam" Lawrence, Writer - Rob Lewis, Production - Andrew Wright, Recording Engineer - Sean Combs, Writer - P.
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The man has ambition, but he lacks the sense to stop making music. I don’t care about the music! I’m living the Diddy life. I own four pairs of Sean Jean pants, seven sets of SJ Elite sneakers, my fragrance of choice is Unforgivable, and I eat at Justin’s every other night.
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He’s a brand name, and that’s all I want him to be. His singing is OK at best, but it’s mostly just embarrassing, so it’s good he confined it to only a couple of tracks.ĭiddy thinks he is hard, but he is not hard. But wasn’t this inevitable, considering that he “feels he can do anything”? Dream on, Diddy. He blurts out, “I’m the heart of the city, I’m a part of the sewers, I’m the honorable Diddy!” To Diddy’s credit, though, he tries something new on this album - singing. I was certainly in tears when I heard Kanye West’s stellar production on “Everything I Love” corrupted once again by Diddy’s rapping. It’s enough to make anyone feel like crying. There’s one track in particular, “I Am,” that sounds like Diddy took Jay-Z’s song “What More Can I Say,” sliced its balls off, sucked the blood out of it, and sprayed it down with Reddi Whip. Listening to the CD is like witnessing the slow strangulation and death of hip-hop. Press Play track listing has been unveiled, includes Timbaland, Twista, Christina Aguilera, Nas, Jamie Foxx, and others. Combine this with some nostalgic lines about his mother and father, and the resultant song is the most self-indulgent thing I’ve ever heard in my life, which is saying a lot because I’ve also heard the rest of the album. I really, truly believe in God that way,” Diddy tells us. The song really takes you for a spin in the cliché-mobile, but it can’t even touch “Claim My Place.” This song has it all: magical harp sounds, an angelic chorus, and Diddy imparting wisdom through solemn spoken word. I’ll keep that one in mind next time I ponder the nature of human passion. It’s comforting to know that we can count on Diddy to give sage advice like, “You see, love is a crazy thang.” Thanks, Diddy. One track, “Crazy Thang,” is, quite literally, Diddy and some girl S. The album takes itself too seriously, which is a big problem. But it’s impossible not to laugh when Timbaland sings, “I’m your burgers, you my fries.” Twista’s genuinely resplendent verse on the track “Diddy Rock” is a diamond in the rough. The highlights are the places where Diddy is not, but these inevitably get buried in Diddiness. In fact, if he had stayed out of the project altogether, it probably would have made for a much stronger album. It’s clear that Diddy needs all the support he can get. There’s also vocal support from Christina Aguilera, Mary J. Here we see production from Cool & Dre, Timbaland, Kanye West, the Neptunes and lots of others. Let’s take a ride on the Diddy train, through a world populated by Diddy’s personal army of hired hands.
#Diddy press play listen how to#
Or, more likely, he’s worried that his brain-dead clientele may not know how to work the iTunes controls. It’s as if Diddy knows deep down that it sucks, so he’s begging his audience to listen (“Press Play, Please?”). The album’s title should be your first warning. “Press Play” establishes him as just Diddy - brand new name, same great flavor. You should really buy it, it’s amazing.” And the bartender punches him in the face.Īfter a four-year hiatus - which he spent dropping tentacles into all arenas of American pop culture - he’s lost the P and released a new album. And this music on the radio, it’s from my new album (although I personally didn’t write it). And those shoes you’re wearing, I designed them. I once heard this joke in which Diddy walks into a bar, sits down, and orders a drink.